#Heisei godzilla atomic breath gif skin#

Its skin was darker and its dorsal fins were white instead of a bone-white color, these fins also being more pointy. Hedorah short is very similar to the close-up suit, but had some noticeable differences. The small dorsal fins resemble those of the Showa series: a single prominent row with smaller surrounding fins. The FinalGoji has much more noticeable ears than many previous suits. The FinalGoji's arms and legs are slimmer than usual, and its thighs are also one size smaller. MONSTERS also returned to remodel it, modifying its size to better fit Matsumoto's body. A year later, Matsumoto returned to act in the screen-used action suit for the sequel short Fest Godzilla 3: Gigan Attacks. Lacking any radio-control mechanisms, its jaw had to be manipulated by a wire. Hedorah (2021), where it was donned by Naoya Matsumoto. One such suit was used close to two decades after Final Wars in Kazuhiro Nakagawa's short film Godzilla vs. Īside from the screen-used suits, several 'attraction' suits were pulled from the same molds and finished to similar specifications for use in public appearances.

These mechanisms were created by Nobuhiro Ekubo. The head of each suit was attached to a helmet-like 'skullcap' worn by Kitagawa, allowing his neck movements to translate to Godzilla's, and the mouth of at least one of the suits could be controlled remotely. The only lighting installed in any of the suits was in the mouth for Godzilla's atomic breath. Also different from previous suits was a lack of internal lighting in Godzilla's dorsal fins, both to reduce weight and to accommodate the fins' reduction in size. The suits' arms were the only parts which fit snugly, and they had a dual joint at the armpit to increase their range of motion. The modeling team took care to keep the suits lightweight and easy to act in though the materials used were no different than on previous suits, the space inside was not filled with latex, ensuring actor Tsutomu Kitagawa's movements wouldn't be restricted. The suits' eyeballs were created by Shigeaki Yoshida. Conversely, the suits' body parts from the waist down were fabricated from scratch by gluing together pieces of urethane. Molds were then created from these parts, with the head and torso cast in latex and the fins in urethane. Three total suits were produced: the main suit for close-ups, another for 'action,' and one for 'super action.' Wakasa created the head sculpt, the upper body was patterned by Naoto Nishikawa and sculpted by Akira Yamada, and the dorsal fins were shaped out of polyethylene foam. The FinalGoji suits were realized by Wakasa and his company MONSTERS, Inc. His dorsal fins were also made smaller so as not to interfere with the choreography, and the whites of his eyes were removed so that he would not seem willful. Godzilla's muscles and facial expression were emphasized to align with Kitamura's vision. In designing Godzilla's face, Wakasa thought it appropriate to combine characteristics of several prior suits for the character's 50th anniversary, namely the ShodaiGoji, MosuGoji, and Heisei Godzilla designs. Though Yasushi Nirasawa and Yoji Shinkawa submitted concept art of the new Godzilla, neither of their designs were selected instead, Wakasa designed the new Godzilla himself with input from Kitamura and special effects director Eiichi Asada. Wakasa recalled a Godzilla fighting game his child had played and showed it to Kitamura, who agreed that it was closer to what he was looking for. Developmentįor Godzilla's 50th anniversary film, director Ryuhei Kitamura aimed to emphasize monster battles, wishing to portray 'a more powerful Godzilla.' Camera tests were conducted using an SOSGoji suit from the previous Godzilla film, Godzilla: Tokyo SOS, but Kitamura and monster modeler Shinichi Wakasa concluded that its movements were not suitable. It is also commonly called Final Godzilla (ファイナルゴジラ, Fainaru Gojira). Prior to the release of Final Wars, fans referred to this design as the FiGoji (ファイゴジ, Faigoji), a shortened combination of 'final' and 'Goji.' Modeler Shinichi Wakasa instead suggested 50Godzilla, after Godzilla's 50th anniversary. Hedorah (short film)įinalGoji's name comes from Godzilla Final Wars's title, specifically the word final (ファイナル, fainaru), and Goji, which comes from Godzilla's Japanese name, Gojira (ゴジラ).